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I've done some dastardly things but what can I do except make amends and apologize?

Stan Getz

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Stan Getz
Age: 64 †
Born: 1927
Born: February 2
Died: 1991
Died: June 6
Composer
Jazz Musician
Saxophonist
Philadelphia
Pennsylvania
Stanley Getz
Make
Things
Dastardly
Amends
Apologize
Apologizing
Except
Done

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I'm a recovered alcoholic. I don't do anything anymore, but those things, those things take away ... You're a different personality completely when you take those. For those who are really chemically dependent on anything, it's not you.
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People think that I play effortlessly. I remember doing a record date with Bill Evans and afterwards he said to me, you make it sound so easy but when I get right up next to you you're working hard and making it sound easy!
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I never consciously tried to conceive of what my sound should be...I never tried to imitate anybody, but when you love somebody's music, you're influenced...I really don't know how I developed my sound, but it comes from a combination of my musical conception and no doubt the basic shape of the oral cavity.
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I learn something new every day.
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A good quartet is like a good conversation among friends interacting to each other's ideas.
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I learn something new every day - to edit, to take out all the extraneous matter and stress form, logic, and content. I try to play beautiful music.
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I compulsively reach for perfection in music, often at the expense of everything else in my life.
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I appreciate men like Ben Webster and Coleman Hawkins very much.
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My life is music, and in some vague, mysterious and subconscious way, I have always been driven by a taut inner spring which has propelled me to almost compulsively reach for perfection in music, often - in fact, mostly - at the expense of everything else in my life.
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Records used to be documents, but now record companies want product.
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There are four qualities essential to a great jazzman. they are taste, courage, individuality, and irreverence.
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The value of jazz still has to be clarified. People involve themselves with its superficialities without digging for its soul.
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I never consciously tried to conceive of what my sound should be.
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I cannot play a lie. I have to believe in what I play or it won't come out.
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The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.
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Hearing myself so much all the time, I don't think I sound that special all the time because it's me.
Stan Getz