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I've always been pretty ravenous about pop culture, highbrow and lowbrow.

St. Vincent

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St. Vincent
Age: 42
Born: 1982
Born: September 28
Composer
Guitarist
Multi-Instrumentalist
Musician
Recording Artist
Singer
Singer-Songwriter
Tulsa
Oklahoma
Annie Erin Clark
Anne Erin Annie Clark
Anne Erin Clark
Annie Clark
Pops
Pretty
Culture
Always
Lowbrow
Highbrow
Ravenous

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Let us love God my brothers, let us love God. But let it be with the strength of our arms and the sweat of our brow.
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I remember looking at the sky and thinking that the universe is so big and it's all chaos. I call it 'the dark fear.' At any moment, the dark fear could come in.
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I started playing guitar when I was 12 and probably from that age knew that I wanted to make music and make my own music. Playing with other bands like the Polyphonic Spree and Sufjan Stevens was more like an apprenticeship for me than anything.
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Charity is the cement that unites communities to God and individuals to each other so that he who contributes to the union of hearts in a community binds it indissolubly to God.
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I think a lot of people who want to be musicians terrify their parents because they don't have a living example of it in their families, and I did. So I always knew that it was possible.
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I wish I had a gentle mind and a spine made up of iron.
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It's not enough to do good. It must be done well.
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We ought to deal kindly with all, and to manifest those qualities which spring naturally from a heart tender and full of Christian charity such as affability, love and humility. These virtues serve wonderfully to gain the hearts of men, and to encourage them to embrace things that are more repugnant to nature.
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Musically, I have more things in common with tons of bands that have no female members.
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I'm unqualified to do anything other than music.
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The Lilith Fair thing was Bummer Town - hey, hop aboard the marginalizing train. I guess you had people come out of that and have careers, but I think there was a pretty intense backlash, too.
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It is absolutely necessary, both for our advancement and the salvation of others, to follow always and in all things the beautiful light of faith
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One of my favourite things about country music is that, at least until recently, you could always count on a solid story, a punchline and a pun. I think it has that in common with hip hop, where they're not afraid of wordplay and I really appreciate that.
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Well, I've been recording myself on a computer since I was about 13 or 14. So it's completely entwined with my creative process. Essentially, it allows you to make music that's better and smarter than you are, by using your ears to lead the way.
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I only listen to my own music when I'm playing an hour-and-half set each night. I don't put it on recreationally.
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No matter what others say or do, even if the wicked succeed, do not be troubled: commit everything to God and put your trust in him.
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I guess trying to throw my body into the guitar is so natural for me that I don't even know how to explain it. I can't imagine life without it.
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A song has a life of its own. It's an autonomous thing, separate from your own experience, almost. And the mere repetition of it means it's subject to change it means approaching it differently, expressing different emotional aspects of it. It doesn't feel like wallowing.
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I think human beings have a really broad spectrum of traits, and I almost feel implicated when we say, 'Men are like this, women are like this.' Nobody was telling me, 'Don't get dirty, don't play in the mud, girls don't do that.'
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My dad used to love Steely Dan, the Stones, Jethro Tull and all that. There was always Steely Dan going in my dad's car, but I remember The Royal Scam in particular because it has 'Kid Charlemagne' on it.
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