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[My mother] was the one who encouraged me constantly and always reminded me that God gave me a talent and I have to use it. I should not keep it locked inside.
St. Lucia
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St. Lucia
Age: 55
Musician
Johannesburg
Gauteng
South Africa
St.Lucia
Gave
Inside
Talent
Use
Keep
Reminded
Mother
Encouraged
Always
Locked
Constantly
More quotes by St. Lucia
Like all businesses ACID has its ups and downs. There are actually seasons when business will pick up such as Christmas time and carnival time. There are other times when business will run very slow.
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For now ACID Kreationz has only one body and that's me. I have intentions of hiring persons when I am through with university. For now it is only me but off and on I contract sound producers and other persons when the need arises.
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I am home grown St. Lucian. Born in 1980 I have spent most of my life on this island. Apart from the few summers I spent in the United States I spent most of my time in my homeland.
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A true artist is practically married to his or her art form so I just couldn't turn my back on it.
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We need to understand that there is a process of learning and experience and success will stem from this. The painting represents life and the brushstroke represents the steps we take in life.
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None of my songs are written 'about' someone or something, they all just sort of tumble out unannounced, like the worst kind of house guest.
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I believe that people have to be sensitized more about the many jobs an individual can branch out to after studying an art form.
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I also got encouragement from my teachers at primary school but one person in particular who had a significant impact on my lean towards art is Mr. Luigi St. Omer. Mr. St. Omer was the one who always reminded me that I should not settle for less than greatness in my art. He saw that I had the potential and he helped me develop that talent.
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Don't get me wrong, I have the utmost respect for anyone who has the nerve to even attempt to do music today, but this is just about what excites me.
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From as long as I can remember, I was always fond of drawing.
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I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
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What I love about African-African music is how unselfconscious it is in so many ways.
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Most of the writing that I do is a complete train of thought process. I'll just be walking down the street or sitting on the toilet or whatever and something will pop into my head and I'll record it on my phone and then over the next little while it'll develop a little more in my head.
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Music has always moved me really deeply, and it's always been more about that than about the desire to rebel or annoy people (although, I've had my moments of that as well). I think it was just years of maybe moving slightly away from it but always coming back to it as the thing that I'm best at.
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Normally the meaning of the songs, if there is any, occurs to me after I've written the song.
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I'm a huge Hayao Miyazaki fan. He might be my favorite director of all time - the beauty that he sees in the world and the attention to detail. I try and focus on that while making music: trying to use as many real instruments as possible, have it feel as tactile and tangible as possible.
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I've been making music for as long as I can remember. I would, as a kid, just sing little ideas or be making something.
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I was very conceptual about what I was doing I had the first five albums planned out, and all the songs on every album, and the artwork. I always had these ambitious musical projects in mind.
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I didn't see [Luigi St. Omer] as a teacher. I saw him as a comrade I respected and I could go to see anytime something was bothering me. He was indeed my big brother. He praised me when I did something exceptional and scolded me when I did things which were out of the way.
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I am trying my best to stay above the water. Right now ACID does not only offer animation. I offer real life productions as well and also compositing (animation composited into real life video)
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