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But I don't really listen to much be-bop at all at the moment.

Squarepusher

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Squarepusher
Age: 49
Born: 1975
Born: January 17
Drummer
Guitarist
Jazz Musician
Musical Artist
Musician
Recording Artist
Chaos A.D.
The Duke of Harringay
Moments
Much
Really
Bops
Listen
Moment

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I love traveling. I love just going about on my own, feeling I have no roots.
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People have often assumed that for music to be emotionally powerful it has to come directly from a human hand, whereas I disagree with that, and enjoy proving these people wrong. This project is an excellent way of exploring that area more.
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Your responsibility as an artist is to experiment.
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One of those things that I find hard to dispose of is my attitude to album sequencing, the layout of the pieces.
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I’m not that interested in what people make of it, or how people consider me. That’s nothing to do with me.
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I'm into music for all different sorts of purposes.
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My history is really playing live - not writing or recording.
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I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
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Stereotyping and generating brands around musicians I think contributes to their eventual demise.
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If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.
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I didn't want to try and borrow kudos from Indonesian culture. I was trying to get a fresh perspective on these instruments. I'm not doing a Paul Simon Gracelands and stealing all this African music and not give anyone any credit.
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The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.
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The older ideas are rendering more and more bland music.
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I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.
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What happens in the studio is technically the same thing that happens on the stage. In the past I had to make quite brutal adaptations of the material to make it work on stage. I don't always like doing that because sometimes you're shaving away the things that you actually quite like about them, the spontaneity of it.
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One of the more dispiriting things I think about endless touring is hearing the same piece of music over and over again and I end up feeling like a fraud.
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I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.
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