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Racism in America absolutely exists - it is an issue. We need to fix it. We're a great country - probably the greatest country but we could be a hell of a lot greater.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
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Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Greatest
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America
Racism
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Power is knowing your past.
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'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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I think people who have faults are a lot more interesting than people who are perfect.
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When I went to school, you had to take art, you had to play an instrument. You had to play an instrument. But it's all degraded since then. I do not know what kind of nation we are that is cutting art, music, and gym out of the public-school curriculum.
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Those that'll tell don't know, and those that know won't tell.
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I don't think my films are going to get rid of racism or prejudice. I think the best thing my films can do is provoke discussion.
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A lot of times, we censor ourselves before the censor even gets there.
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Don't think that because you haven't heard from me for a while that I went to sleep. I am still here, like a spirit roaming the night. Thirsty, hungry, seldom stopping to rest.
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If we became students of Malcolm X, we would not have young black men out there killing each other like they're killing each other now. Young black men would not be impregnating young black women at the rate going on now. We'd not have the drugs we have now, or the alcoholism.
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Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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I've got Sometimers. Sometimes I remember and sometimes I forget.
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If you can't take a hit, you're not going to last long, that's for sure.
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If you have a talented family, you should be shot if you don't use them.
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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.
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I've always tried to - when I've been able to - support young artists, no matter what medium.
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I don't like acting not in front of the camera.
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Amongst black people, you have always heard it said that once a black man reaches a certain level, especially if you are an entertainer, you get a white trophy woman. I didn't make that up.
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