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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
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Film Director
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Television Actor
Television Producer
Atlanta
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Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
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My people, my people, what can I say say what I can. I saw it but didn't believe it I didn't believe what I saw. Are we gonna live together? Together are we gonna live?
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It gets dangerous when you start allowing people to validate your work.
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Making films has got to be one of the hardest endeavors known to humankind.
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I've got Sometimers. Sometimes I remember and sometimes I forget.
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I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
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Sex and racism have always been tied together. Look at the thousands of black men who got lynched and castrated. The reason the Klan came into being was to protect white southern women.
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If we became students of Malcolm X, we would not have young black men out there killing each other like they're killing each other now. Young black men would not be impregnating young black women at the rate going on now. We'd not have the drugs we have now, or the alcoholism.
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I don't see any negativity with what Brad Pitt is doing with his Make It Right Foundation, or what Sean Penn is trying to do in Haiti.
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This film [Chi-Raq]is a declaration. It's a scream. It's a warning. And I can really break it down to one scene. That's the scene where we have the eulogy and sermon that is given by the great John Cusack.
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'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
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I tend to favour films that have multiple plot and story lines, multiple characters and ensemble pieces.
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You know that first of all your films have to make money no matter who you are.
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I'm surprised that Hollywood and networks have not been diverse as other industries.
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I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.
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Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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I like people to look like they're floating.
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Those that'll tell don't know, and those that know won't tell.
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My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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