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I don't see any negativity with what Brad Pitt is doing with his Make It Right Foundation, or what Sean Penn is trying to do in Haiti.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Foundation
Right
Trying
Penn
Make
Pitt
Brad
Sean
Haiti
Negativity

More quotes by Spike Lee

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I am a hybrid. I do independent films and also do Hollywood films - I love them both.
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If we became students of Malcolm X, we would not have young black men out there killing each other like they're killing each other now. Young black men would not be impregnating young black women at the rate going on now. We'd not have the drugs we have now, or the alcoholism.
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There's a lot of Americans, black and white, who think that we've arrived where we need to be and nothing else needs to be done and affirmative action needs to be dismantled.
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I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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I consider Madonna a friend, and she sure knows how to work the publicity machine. Of course, I don't have breasts. If I did have, I'd be in the number one spot over Madonna.
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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.
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'She's Gotta Have It' was shot in twelve days and two six-day weeks.
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I don't dictate, you don't dictate to Stevie Wonder, not successfully.
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I don't like to use the word 'remake', I think reinterpretation is a better word. It's just a matter of respecting the source, and then trying to make your own film, and trying not to be inhibited by being so beholden to every single thing... We respect the source, but we make changes to it.
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Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.
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We’ve gone through the names—Negro, African American, African, Black. For me that’s an indication of a people still trying to find their identity. Who determines what is black?
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I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.
Spike Lee
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I tend to favour films that have multiple plot and story lines, multiple characters and ensemble pieces.
Spike Lee
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'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
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America doesn't have the moral right to tell other people what to do. To say the whole world has to fall into line is you-know-what. I hope more people will rise up.
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I used the principles of Kickstarter to make 'She's Gotta Have It.' We filmed that in 1985 to 1986. The final cost was $175,000. I didn't have that money. It was friends, grants, donations. We saved our bottles for the nickel deposit.
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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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You know that first of all your films have to make money no matter who you are.
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I give interracial couples a look. Daggers. They get uncomfortable when they see me on the street.
Spike Lee