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There's a lot of Americans, black and white, who think that we've arrived where we need to be and nothing else needs to be done and affirmative action needs to be dismantled.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Thinking
Black
Action
Else
Nothing
Dismantled
Need
Affirmative
Done
Arrived
Needs
Americans
Think
White

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I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.
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I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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Racism in America absolutely exists - it is an issue. We need to fix it. We're a great country - probably the greatest country but we could be a hell of a lot greater.
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If we became students of Malcolm X, we would not have young black men out there killing each other like they're killing each other now. Young black men would not be impregnating young black women at the rate going on now. We'd not have the drugs we have now, or the alcoholism.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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As we move toward the millennium, the year 2000, the most powerful nations are not those that have nuclear bombs, but those that control the media. That's where the battle is being fought that is how you control people's minds.
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It gets dangerous when you start allowing people to validate your work.
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Since the days of slavery, if you were a good singer or dancer, it was your job to perform for the master after dinner.
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Cause mo better makes it mo better.
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I didn't dream about being a director. I didn't know I wanted to do something with film until the summer between my sophomore and junior years at Morris College in Atlanta, Georgia.
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and the media. I have to take advantage of that while I'm still bankable.
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I'm trying to keep up with what's happening in this turbulent world.
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American slavery was not a Sergio Leone Spaghetti Western. It was a holocaust. My ancestors are slaves. Stolen from Africa. I will honor them.
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I don't like to use the word 'remake', I think reinterpretation is a better word. It's just a matter of respecting the source, and then trying to make your own film, and trying not to be inhibited by being so beholden to every single thing... We respect the source, but we make changes to it.
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And one thing Hollywood does well is sequels.
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Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.
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You gotta make your own way. You gotta find a way. You gotta get it done. It's hard. It's tough. That's what I tell my students every day in class. I've been very fortunate. Some people might call me a hardhead, but I'm not going to let other people dictate to me who I should be or the stories I should tell. That doesn't register with me.
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