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Sex and racism have always been tied together. Look at the thousands of black men who got lynched and castrated. The reason the Klan came into being was to protect white southern women.
Spike Lee
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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
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Thousands
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Sex
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Castrated
Always
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Lynched
Men
White
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Tied
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Southern
Women
Racism
More quotes by Spike Lee
A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.
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I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and the media. I have to take advantage of that while I'm still bankable.
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You gotta make your own way. You gotta find a way. You gotta get it done. It's hard. It's tough. That's what I tell my students every day in class. I've been very fortunate. Some people might call me a hardhead, but I'm not going to let other people dictate to me who I should be or the stories I should tell. That doesn't register with me.
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American slavery was not a Sergio Leone Spaghetti Western. It was a holocaust. My ancestors are slaves. Stolen from Africa. I will honor them.
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I'm trying to keep up with what's happening in this turbulent world.
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I ain't Martin Luther King. I don't need a dream. I have a plan.
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Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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It gets dangerous when you start allowing people to validate your work.
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We’ve gone through the names—Negro, African American, African, Black. For me that’s an indication of a people still trying to find their identity. Who determines what is black?
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Our greatness, our talent has never been the question. It's been a matter of grappling for control over what we do.
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I'm an independent filmmaker with complete creative control of my films. I hire who I want. I have final cut. But at the same time, I go directly to Hollywood for financing and distribution. I find it's best for me to work within the Hollywood system.
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My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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If you can't take a hit, you're not going to last long, that's for sure.
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'She's Gotta Have It' was shot in twelve days and two six-day weeks.
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I'm surprised that Hollywood and networks have not been diverse as other industries.
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America doesn't have the moral right to tell other people what to do. To say the whole world has to fall into line is you-know-what. I hope more people will rise up.
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I don't like acting not in front of the camera.
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