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I don't think my films are going to get rid of racism or prejudice. I think the best thing my films can do is provoke discussion.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Think
Discussion
Thinking
Racism
Prejudice
Films
Film
Best
Thing
Provoke
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Provoking

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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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Sex and racism have always been tied together. Look at the thousands of black men who got lynched and castrated. The reason the Klan came into being was to protect white southern women.
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Fight the power that be. Fight the power.
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Do the Right Thing' was my first union film. I looked at the rosters, and for the most part, it was white males. Especially the Teamsters. So we had some conversations.
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Power is knowing your past.
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A lot of times, we censor ourselves before the censor even gets there.
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I used the principles of Kickstarter to make 'She's Gotta Have It.' We filmed that in 1985 to 1986. The final cost was $175,000. I didn't have that money. It was friends, grants, donations. We saved our bottles for the nickel deposit.
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I never understood the concept of showing everything in the trailer. Why go to a movie if there's no surprise? I can't do it like that.
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Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
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If you can't take a hit, you're not going to last long, that's for sure.
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As we move toward the millennium, the year 2000, the most powerful nations are not those that have nuclear bombs, but those that control the media. That's where the battle is being fought that is how you control people's minds.
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I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and the media. I have to take advantage of that while I'm still bankable.
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Our greatness, our talent has never been the question. It's been a matter of grappling for control over what we do.
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We’ve gone through the names—Negro, African American, African, Black. For me that’s an indication of a people still trying to find their identity. Who determines what is black?
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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Music is, for me, a great tool of a filmmaker, the same way cinematography, the acting, editing, post-production, the costumes are. You know, to help you tell a story.
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I've always tried to - when I've been able to - support young artists, no matter what medium.
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For me, I believe in God, God is real.
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