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I don't think my films are going to get rid of racism or prejudice. I think the best thing my films can do is provoke discussion.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Thinking
Racism
Prejudice
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Our greatness, our talent has never been the question. It's been a matter of grappling for control over what we do.
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You gotta make your own way. You gotta find a way. You gotta get it done. It's hard. It's tough. That's what I tell my students every day in class. I've been very fortunate. Some people might call me a hardhead, but I'm not going to let other people dictate to me who I should be or the stories I should tell. That doesn't register with me.
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I've got Sometimers. Sometimes I remember and sometimes I forget.
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'She's Gotta Have It' was shot in twelve days and two six-day weeks.
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I want to tell stories, I don't really try to get boxed in by a specific genre.
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I miss my brother. Prince was a funny cat. Great sence of humor.
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Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
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I used the principles of Kickstarter to make 'She's Gotta Have It.' We filmed that in 1985 to 1986. The final cost was $175,000. I didn't have that money. It was friends, grants, donations. We saved our bottles for the nickel deposit.
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Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.
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Everything I do is always scrutinised. But that's all I'll say about that.
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I'm very careful about how I portray violence in my films. I do believe that violence, especially violent video games, are not a good thing for young kids.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
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Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
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'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
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If you can't take a hit, you're not going to last long, that's for sure.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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I don't like acting not in front of the camera.
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Power is knowing your past.
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