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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Always
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Psyches
Think
Sort
Hocus
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Making
Psych
People
Makes
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Film
Mystical
Cannot
Magical
Done
Craft
Thing
Crafts
Pocus

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If you have a talented family, you should be shot if you don't use them.
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You gotta make your own way. You gotta find a way. You gotta get it done. It's hard. It's tough. That's what I tell my students every day in class. I've been very fortunate. Some people might call me a hardhead, but I'm not going to let other people dictate to me who I should be or the stories I should tell. That doesn't register with me.
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I don't like acting not in front of the camera.
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I miss my brother. Prince was a funny cat. Great sence of humor.
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Everybody does what they want to do for their own specific reasons.
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I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and the media. I have to take advantage of that while I'm still bankable.
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Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
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As we move toward the millennium, the year 2000, the most powerful nations are not those that have nuclear bombs, but those that control the media. That's where the battle is being fought that is how you control people's minds.
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When I went to school, you had to take art, you had to play an instrument. You had to play an instrument. But it's all degraded since then. I do not know what kind of nation we are that is cutting art, music, and gym out of the public-school curriculum.
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I consider Madonna a friend, and she sure knows how to work the publicity machine. Of course, I don't have breasts. If I did have, I'd be in the number one spot over Madonna.
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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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A woman who is very secure in herself, what she's about, what she wants to do, who probably figures that she's a prize catch-sooner or later he's going to come around.
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Cause mo better makes it mo better.
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Do the Right Thing' was my first union film. I looked at the rosters, and for the most part, it was white males. Especially the Teamsters. So we had some conversations.
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I didn't dream about being a director. I didn't know I wanted to do something with film until the summer between my sophomore and junior years at Morris College in Atlanta, Georgia.
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You know that first of all your films have to make money no matter who you are.
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I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
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I am a hybrid. I do independent films and also do Hollywood films - I love them both.
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I think people who have faults are a lot more interesting than people who are perfect.
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