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American slavery was not a Sergio Leone Spaghetti Western. It was a holocaust. My ancestors are slaves. Stolen from Africa. I will honor them.
Spike Lee
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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Stolen
Slaves
Africa
Slavery
Leone
Slave
Spaghetti
Western
Ancestors
Honor
Ancestor
American
Holocaust
More quotes by Spike Lee
Everything I do is always scrutinised. But that's all I'll say about that.
Spike Lee
Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
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I'm very careful about how I portray violence in my films. I do believe that violence, especially violent video games, are not a good thing for young kids.
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Cause mo better makes it mo better.
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Those that'll tell don't know, and those that know won't tell.
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'She's Gotta Have It' was shot in twelve days and two six-day weeks.
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I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
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If you have a talented family, you should be shot if you don't use them.
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Don't think that because you haven't heard from me for a while that I went to sleep. I am still here, like a spirit roaming the night. Thirsty, hungry, seldom stopping to rest.
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I think people who have faults are a lot more interesting than people who are perfect.
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I've always tried to - when I've been able to - support young artists, no matter what medium.
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I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
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I'm surprised that Hollywood and networks have not been diverse as other industries.
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A woman who is very secure in herself, what she's about, what she wants to do, who probably figures that she's a prize catch-sooner or later he's going to come around.
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Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
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There's a lot of Americans, black and white, who think that we've arrived where we need to be and nothing else needs to be done and affirmative action needs to be dismantled.
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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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Since the days of slavery, if you were a good singer or dancer, it was your job to perform for the master after dinner.
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I don't think my films are going to get rid of racism or prejudice. I think the best thing my films can do is provoke discussion.
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