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I ain't Martin Luther King. I don't need a dream. I have a plan.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Plans
Dream
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Martin
Needs
Luther
Planning
King
Plan
Kings

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I think if people looked at my body of work, they'd see a great breadth of work.
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For me, I believe in God, God is real.
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We’ve gone through the names—Negro, African American, African, Black. For me that’s an indication of a people still trying to find their identity. Who determines what is black?
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I'm an independent filmmaker with complete creative control of my films. I hire who I want. I have final cut. But at the same time, I go directly to Hollywood for financing and distribution. I find it's best for me to work within the Hollywood system.
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As we move toward the millennium, the year 2000, the most powerful nations are not those that have nuclear bombs, but those that control the media. That's where the battle is being fought that is how you control people's minds.
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I never understood the concept of showing everything in the trailer. Why go to a movie if there's no surprise? I can't do it like that.
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You know that first of all your films have to make money no matter who you are.
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We've got to turn this backward thinking around where ignorance is championed over intelligence. Young black kids being ridiculed by their peers for getting A's and speaking proper English: that's criminal.
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Music is, for me, a great tool of a filmmaker, the same way cinematography, the acting, editing, post-production, the costumes are. You know, to help you tell a story.
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My people, my people, what can I say say what I can. I saw it but didn't believe it I didn't believe what I saw. Are we gonna live together? Together are we gonna live?
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My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.
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Our greatness, our talent has never been the question. It's been a matter of grappling for control over what we do.
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I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and the media. I have to take advantage of that while I'm still bankable.
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There's a lot of Americans, black and white, who think that we've arrived where we need to be and nothing else needs to be done and affirmative action needs to be dismantled.
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If you can't take a hit, you're not going to last long, that's for sure.
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Amongst black people, you have always heard it said that once a black man reaches a certain level, especially if you are an entertainer, you get a white trophy woman. I didn't make that up.
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Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
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I don't dictate, you don't dictate to Stevie Wonder, not successfully.
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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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I'm surprised that Hollywood and networks have not been diverse as other industries.
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