Quote

I give interracial couples a look. Daggers. They get uncomfortable when they see me on the street.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Streets
Couple
Interracial
Give
Daggers
Look
Couples
Looks
Racist
Giving
Racism
Uncomfortable
Street

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It gets dangerous when you start allowing people to validate your work.
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First of all, what in this world does not revolve around money? But money is a big part of film, unlike a lot of other art forms.
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I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and the media. I have to take advantage of that while I'm still bankable.
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America doesn't have the moral right to tell other people what to do. To say the whole world has to fall into line is you-know-what. I hope more people will rise up.
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I didn't dream about being a director. I didn't know I wanted to do something with film until the summer between my sophomore and junior years at Morris College in Atlanta, Georgia.
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A woman who is very secure in herself, what she's about, what she wants to do, who probably figures that she's a prize catch-sooner or later he's going to come around.
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I get offered to do stuff where the money's nice but it's not something I want to do - I get offered a lot of commercials too.
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You gotta make your own way. You gotta find a way. You gotta get it done. It's hard. It's tough. That's what I tell my students every day in class. I've been very fortunate. Some people might call me a hardhead, but I'm not going to let other people dictate to me who I should be or the stories I should tell. That doesn't register with me.
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Amongst black people, you have always heard it said that once a black man reaches a certain level, especially if you are an entertainer, you get a white trophy woman. I didn't make that up.
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I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.
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I am a hybrid. I do independent films and also do Hollywood films - I love them both.
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