Quote

A woman who is very secure in herself, what she's about, what she wants to do, who probably figures that she's a prize catch-sooner or later he's going to come around.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Going
Later
Figures
Wants
Probably
Woman
Sooner
Around
Prize
Women
Catch
Come
Secure

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I've got Sometimers. Sometimes I remember and sometimes I forget.
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Making films has got to be one of the hardest endeavors known to humankind.
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I don't like acting not in front of the camera.
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I consider Madonna a friend, and she sure knows how to work the publicity machine. Of course, I don't have breasts. If I did have, I'd be in the number one spot over Madonna.
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As we move toward the millennium, the year 2000, the most powerful nations are not those that have nuclear bombs, but those that control the media. That's where the battle is being fought that is how you control people's minds.
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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I like people to look like they're floating.
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I've always tried to - when I've been able to - support young artists, no matter what medium.
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I used the principles of Kickstarter to make 'She's Gotta Have It.' We filmed that in 1985 to 1986. The final cost was $175,000. I didn't have that money. It was friends, grants, donations. We saved our bottles for the nickel deposit.
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You know that first of all your films have to make money no matter who you are.
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You gotta make your own way. You gotta find a way. You gotta get it done. It's hard. It's tough. That's what I tell my students every day in class. I've been very fortunate. Some people might call me a hardhead, but I'm not going to let other people dictate to me who I should be or the stories I should tell. That doesn't register with me.
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Everybody does what they want to do for their own specific reasons.
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I don't like to use the word 'remake', I think reinterpretation is a better word. It's just a matter of respecting the source, and then trying to make your own film, and trying not to be inhibited by being so beholden to every single thing... We respect the source, but we make changes to it.
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For me, I believe in God, God is real.
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Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
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Racism in America absolutely exists - it is an issue. We need to fix it. We're a great country - probably the greatest country but we could be a hell of a lot greater.
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I don't dictate, you don't dictate to Stevie Wonder, not successfully.
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'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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I may have been born yesterday, but I stayed up all night.
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