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My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Education
Grandmother
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Checks
Social
Saved
Art
Slave
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Security
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Graduates

More quotes by Spike Lee

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Don't think that because you haven't heard from me for a while that I went to sleep. I am still here, like a spirit roaming the night. Thirsty, hungry, seldom stopping to rest.
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Racism in America absolutely exists - it is an issue. We need to fix it. We're a great country - probably the greatest country but we could be a hell of a lot greater.
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I'm surprised that Hollywood and networks have not been diverse as other industries.
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I get offered to do stuff where the money's nice but it's not something I want to do - I get offered a lot of commercials too.
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I like people to look like they're floating.
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When I went to school, you had to take art, you had to play an instrument. You had to play an instrument. But it's all degraded since then. I do not know what kind of nation we are that is cutting art, music, and gym out of the public-school curriculum.
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I've always tried to - when I've been able to - support young artists, no matter what medium.
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If you have a talented family, you should be shot if you don't use them.
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I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and the media. I have to take advantage of that while I'm still bankable.
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I give interracial couples a look. Daggers. They get uncomfortable when they see me on the street.
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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Do the Right Thing' was my first union film. I looked at the rosters, and for the most part, it was white males. Especially the Teamsters. So we had some conversations.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.
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I don't like to use the word 'remake', I think reinterpretation is a better word. It's just a matter of respecting the source, and then trying to make your own film, and trying not to be inhibited by being so beholden to every single thing... We respect the source, but we make changes to it.
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Music is, for me, a great tool of a filmmaker, the same way cinematography, the acting, editing, post-production, the costumes are. You know, to help you tell a story.
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A woman who is very secure in herself, what she's about, what she wants to do, who probably figures that she's a prize catch-sooner or later he's going to come around.
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I've got Sometimers. Sometimes I remember and sometimes I forget.
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Stick around long enough, you'll get some grace.
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Our greatness, our talent has never been the question. It's been a matter of grappling for control over what we do.
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