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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.

Spike Lee

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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
Choices
Reverberations
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Reverberation
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Make
Films
People
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You know that first of all your films have to make money no matter who you are.
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Everything I do is always scrutinised. But that's all I'll say about that.
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I'm surprised that Hollywood and networks have not been diverse as other industries.
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I'm very careful about how I portray violence in my films. I do believe that violence, especially violent video games, are not a good thing for young kids.
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I don't think my films are going to get rid of racism or prejudice. I think the best thing my films can do is provoke discussion.
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As we move toward the millennium, the year 2000, the most powerful nations are not those that have nuclear bombs, but those that control the media. That's where the battle is being fought that is how you control people's minds.
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If we became students of Malcolm X, we would not have young black men out there killing each other like they're killing each other now. Young black men would not be impregnating young black women at the rate going on now. We'd not have the drugs we have now, or the alcoholism.
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I never understood the concept of showing everything in the trailer. Why go to a movie if there's no surprise? I can't do it like that.
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I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
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America doesn't have the moral right to tell other people what to do. To say the whole world has to fall into line is you-know-what. I hope more people will rise up.
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I'm an independent filmmaker with complete creative control of my films. I hire who I want. I have final cut. But at the same time, I go directly to Hollywood for financing and distribution. I find it's best for me to work within the Hollywood system.
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I consider Madonna a friend, and she sure knows how to work the publicity machine. Of course, I don't have breasts. If I did have, I'd be in the number one spot over Madonna.
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I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.
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Stick around long enough, you'll get some grace.
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Sex and racism have always been tied together. Look at the thousands of black men who got lynched and castrated. The reason the Klan came into being was to protect white southern women.
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'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
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Racism in America absolutely exists - it is an issue. We need to fix it. We're a great country - probably the greatest country but we could be a hell of a lot greater.
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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