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A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
Spike Lee
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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
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Consequences
Way
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Make
Films
People
Either
Choices
Reverberations
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Reverberation
Become
Spine
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I collect names for characters. Names are valuable they can be your first source of insight into a character.
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Don't think that because you haven't heard from me for a while that I went to sleep. I am still here, like a spirit roaming the night. Thirsty, hungry, seldom stopping to rest.
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I like people to look like they're floating.
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I may have been born yesterday, but I stayed up all night.
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Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
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If you can't take a hit, you're not going to last long, that's for sure.
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You know that first of all your films have to make money no matter who you are.
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I'm surprised that Hollywood and networks have not been diverse as other industries.
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First of all, what in this world does not revolve around money? But money is a big part of film, unlike a lot of other art forms.
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I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
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Everybody does what they want to do for their own specific reasons.
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You have to do the research. If you don't know about something, then you ask the right people who do.
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This film [Chi-Raq]is a declaration. It's a scream. It's a warning. And I can really break it down to one scene. That's the scene where we have the eulogy and sermon that is given by the great John Cusack.
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I ain't Martin Luther King. I don't need a dream. I have a plan.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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Everything I do is always scrutinised. But that's all I'll say about that.
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I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
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I never understood the concept of showing everything in the trailer. Why go to a movie if there's no surprise? I can't do it like that.
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