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I tend to favour films that have multiple plot and story lines, multiple characters and ensemble pieces.
Spike Lee
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Spike Lee
Age: 67
Born: 1957
Born: March 20
Actor
Film Actor
Film Director
Film Editor
Film Producer
Mascot
Screenwriter
Television Actor
Television Producer
Atlanta
Georgia
Sheldon Lee
Shelton J. Lee
Shelton Jackson Lee
Mars Blackmon
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Ensemble
Story
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Film
Multiple
Stories
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Films
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I don't dictate, you don't dictate to Stevie Wonder, not successfully.
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'She's Gotta Have It' was shot in twelve days and two six-day weeks.
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I used the principles of Kickstarter to make 'She's Gotta Have It.' We filmed that in 1985 to 1986. The final cost was $175,000. I didn't have that money. It was friends, grants, donations. We saved our bottles for the nickel deposit.
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If you have a talented family, you should be shot if you don't use them.
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I don't like acting not in front of the camera.
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I want to tell stories, I don't really try to get boxed in by a specific genre.
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When I went to school, you had to take art, you had to play an instrument. You had to play an instrument. But it's all degraded since then. I do not know what kind of nation we are that is cutting art, music, and gym out of the public-school curriculum.
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America doesn't have the moral right to tell other people what to do. To say the whole world has to fall into line is you-know-what. I hope more people will rise up.
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I've always tried to - when I've been able to - support young artists, no matter what medium.
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For me, I believe in God, God is real.
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Everything I do is always scrutinised. But that's all I'll say about that.
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As we move toward the millennium, the year 2000, the most powerful nations are not those that have nuclear bombs, but those that control the media. That's where the battle is being fought that is how you control people's minds.
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American slavery was not a Sergio Leone Spaghetti Western. It was a holocaust. My ancestors are slaves. Stolen from Africa. I will honor them.
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I think people who have faults are a lot more interesting than people who are perfect.
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Do the Right Thing' was my first union film. I looked at the rosters, and for the most part, it was white males. Especially the Teamsters. So we had some conversations.
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I've got Sometimers. Sometimes I remember and sometimes I forget.
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It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
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I may have been born yesterday, but I stayed up all night.
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I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.
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There’s always been this hocus-pocus or magical, mystical thing associated with the making of film that sort of psyches people out and makes them think that this cannot be done that this is a craft that cannot be learned.
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