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On everything I do I'm always taking someone's money, whether it's a movie studio or a record label. Somebody's paying for it, and I'm always respectful of that. But I'm never going to compromise.

Spike Jonze

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Spike Jonze
Age: 55
Born: 1969
Born: October 22
Actor
Director
Film Actor
Film Director
Film Producer
Music Video Director
Screenwriter
Television Actor
Television Producer
Chinatown
Rockville
Adam Spiegel
Whether
Studio
Money
Studios
Someone
Compromise
Everything
Record
Going
Taking
Respectful
Always
Records
Label
Never
Somebody
Paying
Movie
Labels

More quotes by Spike Jonze

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It's fun when you start a movie, because it's kind of like you get to go Christmas shopping... you get to make your wish list and you start thinking about what each character needs.
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The past is just a story we tell ourselves.
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I think because I'm not a parent, my most immediate connection to childhood is my memory of my own childhood.
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As a parent, your perspective of childhood is through the eyes of this person that you care so much about and you just want the world to be great for them. You want their life to be easy and happy.
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Be willing to get fired for a good idea.
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I think, as you're growing up, your emotions are just as deep as they are when you're an adult. You're ability to feel lonely, longing, confused or angry are just as deep. We don't feel things more as we get older.
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The invention of the iPod changes how you use music. Suddenly you have music everywhere.
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If I leave my phone in the car and go to dinner or something for a few hours, I'm very proud of myself.
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I always aspire to that, where it feels like the film was made by the characters as opposed to the filmmakers. I try to be invisible.
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I feel like everything I make is personal to me.
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Where The Wild Things Are we were asking a lot of a 9-year-old kid. We were asking a lot of any actor.
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I feel like you only have so much time to make stuff. I'm definitely aware of that. I'm also excited about it.
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If you compromise what you're trying to do just a little bit, you'll end up compromising a little more the next day or the next week, and when you lift your head you're suddenly really far away from where you're trying to go.
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What the world is like from a nine-year-old's point of view? My memory is that nothing is explained to you, you've got to try to figure it out, pick up clues from the people around you, try to figure it out from their reactions.
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I don't understand the whole testing-numbers thing. It is not how I want to make movies.
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I'm not one to intellectualize why I did something.
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Felt is not the easiest thing to animate. It's very flimsy.
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You make a movie that is about what you want it to be about and let people have their reaction to it.
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Even in this world where you’re getting everything you need and having this nice life, there’s still loneliness and longing and disconnection.
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