A guest at a dinner party observed the strange expression on James Thurber's face. 'Don't be concerned,' said Thurber's wife. 'He's writing.'

no one who has seen an angel ever mistakes it for a ghost. Angels are remarkable for their warmth and light, and all who see them speak in awe of their irridescent and refulgent light, of brilliant colors, or else of the unbearable whiteness of their being. You are flooded with laughter, happiness.

That's the true sign. If the lover has not yet achieved his prize, his eyes will follow the woman, while she appears indifferent. But once he's gained his goal, it's the woman's eyes that follow him, while the man seems careless and indifferent.

Coincidence is God's way of performing miracles anonymously.

Harriet Beecher Stowe was thirty-nine when she began Uncle Tom's Cabin. She had given birth to seven children and seen one die. She wrote her book to be serialized in an abolitionist newspaper. Much of it she composed on the kitchen table in between the cooking, mending, tending to her house.

We write to understand our deepest secrets to ourselves, to understand. We write in an outpouring of love. We write in secret, either for publication or for a journal no one will see, or we write poems to be privately printed for the eyes of friends alone - this is not our choice. The urge is to create. The outcome belongs to God.

The urge is to create. The outcome belongs to God.

Angels live no place, as God lives no place. They live in the space of eternity, in the center of our hearts, and sometimes I think we each serve as the channels and angels of God, touched by wings of silence, pushed to angelic acts.

Harriet Beecher Stowe thought Uncle Tom's Cabin was written through her by Another Hand, so little did she know what was going to happen from moment to moment in the book. She herself was amazed at what she was writing.