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You see all these old buildings [in Rio] going down or catching fire overnight, and it is so sad. I am very connected with these buildings because they are our history. It is the only one that we have.

Sonia Braga

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Sonia Braga
Age: 74
Born: 1950
Born: June 8
Actor
Actress
Film Actor
Television Actor
Maringa
Sonia Braga
Sônia Maria Braga
Sônia Maria Campos Braga
Building
Fire
History
Going
Rio
Overnight
Catching
Buildings
Connected

More quotes by Sonia Braga

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I think anybody who was ever saddened by a movie theater closing would be able to understand this film [Aquarius].
Sonia Braga
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I keep boxes filled with recuerdos - little memories that are in the form of pictures and events that I've written down. It's funny that I chose to write them in Spanish rather than English or Portuguese.
Sonia Braga
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Women at my age they are making love, they are feeling sensual, they flirt, they have boyfriends, they have a sexual life. They are just not being represented in the movies.
Sonia Braga
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We did receive some questions about the film's [Aquarius] sexuality in Cannes, but they came from the press rather than audiences.
Sonia Braga
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The only thing I know is that we came from the stars, and that we have the same material as the stars. That's all that I know. Everything else I don't know.
Sonia Braga
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I didn't like the script [of Aquarius], I loved it.
Sonia Braga
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When Sônia [Braga] talked about the script in detail, it was as if she had seen the film [Aquarius] last night, even though it hadn't existed yet. It was a completely bulls - t-less reaction, so I knew it had to be her, and she has been great ever since.
Sonia Braga
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When I wrote the script [of Aquarius], it seemed to hold people's interest.
Sonia Braga
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We can bring to characters dark and bright sides that nobody even dreams about.
Sonia Braga
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You can keep yourself alive. That's the magic of being an actor.
Sonia Braga
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The ruins of classic movie theaters are a personal obsession of mine, and I've made a couple of documentaries about it.
Sonia Braga
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I'm not saying that we need more stories about people of a certain age, we just need more great stories about people.
Sonia Braga
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Everybody else is going to react differently to the film [Aquarius], but what I love about it is that both men and women are going to react to it because they will find themselves represented.
Sonia Braga
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I grew up in a very open-minded family. My father died when I was very little, so my mother was really, really incredibly busy trying to provide for us.
Sonia Braga
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Sônia Braga reacted in a beautiful way to the draft I sent her, so we just made the film [Aquarius] as I had written it. Emilie [Lesclaux], my wife and producer, told me, This is not a two-hour film. This is going to be longer. And I said, Well, let's try and make it work, whatever length it is.
Sonia Braga
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[Aquarius] it had a bit of a rocky arrival in cinemas because we were given the 18+ rating, which did not make any sense in terms of the Brazilian rating system for a film like this.
Sonia Braga
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When was it that people decided as a society that your body is in one place and your sexuality in another place, something like a hat, or a coat, that when you leave home you hang it and when you come back home you say, Ah! Let's wear my sexuality! I might wear it tonight? It is something that belongs to your body.
Sonia Braga
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To be naked or even making love in a scene to me is very important if this is a movie about a couple or sensuality. It's a sort of moralism to think that this shouldn't be seen in the film.
Sonia Braga
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The reaction I got from Sônia [Braga] in less than 48 hours after I sent her the script [Aquarius] was so genuine that it left me stunned. Often when you show people scripts, you get polite, absent-minded reactions, as well as exclamations of What the f - k is this?.
Sonia Braga
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Of course, I was a little concerned about it being over two hours [in Aquarius ]. Neighboring Sounds was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
Sonia Braga