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You see all these old buildings [in Rio] going down or catching fire overnight, and it is so sad. I am very connected with these buildings because they are our history. It is the only one that we have.

Sonia Braga

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Sonia Braga
Age: 74
Born: 1950
Born: June 8
Actor
Actress
Film Actor
Television Actor
Maringa
Sonia Braga
Sônia Maria Braga
Sônia Maria Campos Braga
Fire
History
Going
Rio
Overnight
Catching
Buildings
Connected
Building

More quotes by Sonia Braga

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I have two kids now and through watching them, I keep having flashbacks to my own childhood.
Sonia Braga
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The ruins of classic movie theaters are a personal obsession of mine, and I've made a couple of documentaries about it.
Sonia Braga
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I think of a movie as a human body. You can feel the pump of the heart and the blood going through the veins when you watch that scene.
Sonia Braga
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I like visual arts, and what I love doing is participating in the making of it.
Sonia Braga
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Sônia Braga reacted in a beautiful way to the draft I sent her, so we just made the film [Aquarius] as I had written it. Emilie [Lesclaux], my wife and producer, told me, This is not a two-hour film. This is going to be longer. And I said, Well, let's try and make it work, whatever length it is.
Sonia Braga
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I think anybody who was ever saddened by a movie theater closing would be able to understand this film [Aquarius].
Sonia Braga
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When was it that people decided as a society that your body is in one place and your sexuality in another place, something like a hat, or a coat, that when you leave home you hang it and when you come back home you say, Ah! Let's wear my sexuality! I might wear it tonight? It is something that belongs to your body.
Sonia Braga
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The way I see it, I belong to the film as any other department.
Sonia Braga
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Everybody else is going to react differently to the film [Aquarius], but what I love about it is that both men and women are going to react to it because they will find themselves represented.
Sonia Braga
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I grew up in a very open-minded family. My father died when I was very little, so my mother was really, really incredibly busy trying to provide for us.
Sonia Braga
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When Sônia [Braga] talked about the script in detail, it was as if she had seen the film [Aquarius] last night, even though it hadn't existed yet. It was a completely bulls - t-less reaction, so I knew it had to be her, and she has been great ever since.
Sonia Braga
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The only thing I know is that we came from the stars, and that we have the same material as the stars. That's all that I know. Everything else I don't know.
Sonia Braga
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If you take away money, if you take away the houses and things, who are we really? What is love really about? What is it to love each other? Why do we stay together, and why do all the kids split? All these questions I have really deep inside of me.
Sonia Braga
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Ultimately, you just have to do what feels right for the film. It really helps when you have great collaborators like my editor, Eduardo Serrano, who kept telling me various scenes should be longer.
Sonia Braga
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We did receive some questions about the film's [Aquarius] sexuality in Cannes, but they came from the press rather than audiences.
Sonia Braga
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Women at my age they are making love, they are feeling sensual, they flirt, they have boyfriends, they have a sexual life. They are just not being represented in the movies.
Sonia Braga
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Of course, I was a little concerned about it being over two hours [in Aquarius ]. Neighboring Sounds was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
Sonia Braga
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And getting older, what's happening is, I play only mothers.
Sonia Braga
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It makes sense that somebody told you that you made the film from your perspective as a father.
Sonia Braga
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[Aquarius] it had a bit of a rocky arrival in cinemas because we were given the 18+ rating, which did not make any sense in terms of the Brazilian rating system for a film like this.
Sonia Braga