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[Aquarius] it had a bit of a rocky arrival in cinemas because we were given the 18+ rating, which did not make any sense in terms of the Brazilian rating system for a film like this.

Sonia Braga

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Sonia Braga
Age: 74
Born: 1950
Born: June 8
Actor
Actress
Film Actor
Television Actor
Maringa
Sonia Braga
Sônia Maria Braga
Sônia Maria Campos Braga
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Rocky
Sense
Arrival
Given
Arrivals
Film
Rating
Make
Cinema
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Cinemas
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Brazilian
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Aquarius

More quotes by Sonia Braga

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You see all these old buildings [in Rio] going down or catching fire overnight, and it is so sad. I am very connected with these buildings because they are our history. It is the only one that we have.
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I think of a movie as a human body. You can feel the pump of the heart and the blood going through the veins when you watch that scene.
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We can bring to characters dark and bright sides that nobody even dreams about.
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We did receive some questions about the film's [Aquarius] sexuality in Cannes, but they came from the press rather than audiences.
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I have two kids now and through watching them, I keep having flashbacks to my own childhood.
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When I wrote the script [of Aquarius], it seemed to hold people's interest.
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Sônia Braga reacted in a beautiful way to the draft I sent her, so we just made the film [Aquarius] as I had written it. Emilie [Lesclaux], my wife and producer, told me, This is not a two-hour film. This is going to be longer. And I said, Well, let's try and make it work, whatever length it is.
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The ruins of classic movie theaters are a personal obsession of mine, and I've made a couple of documentaries about it.
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I didn't like the script [of Aquarius], I loved it.
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The reaction I got from Sônia [Braga] in less than 48 hours after I sent her the script [Aquarius] was so genuine that it left me stunned. Often when you show people scripts, you get polite, absent-minded reactions, as well as exclamations of What the f - k is this?.
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I think anybody who was ever saddened by a movie theater closing would be able to understand this film [Aquarius].
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And getting older, what's happening is, I play only mothers.
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The only thing I know is that we came from the stars, and that we have the same material as the stars. That's all that I know. Everything else I don't know.
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Women at my age they are making love, they are feeling sensual, they flirt, they have boyfriends, they have a sexual life. They are just not being represented in the movies.
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I keep boxes filled with recuerdos - little memories that are in the form of pictures and events that I've written down. It's funny that I chose to write them in Spanish rather than English or Portuguese.
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Of course, I was a little concerned about it being over two hours [in Aquarius ]. Neighboring Sounds was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
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I like visual arts, and what I love doing is participating in the making of it.
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I grew up in a very open-minded family. My father died when I was very little, so my mother was really, really incredibly busy trying to provide for us.
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Ultimately, you just have to do what feels right for the film. It really helps when you have great collaborators like my editor, Eduardo Serrano, who kept telling me various scenes should be longer.
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If you take away money, if you take away the houses and things, who are we really? What is love really about? What is it to love each other? Why do we stay together, and why do all the kids split? All these questions I have really deep inside of me.
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