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I grew up in a very open-minded family. My father died when I was very little, so my mother was really, really incredibly busy trying to provide for us.

Sonia Braga

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Sonia Braga
Age: 74
Born: 1950
Born: June 8
Actor
Actress
Film Actor
Television Actor
Maringa
Sonia Braga
Sônia Maria Braga
Sônia Maria Campos Braga
Littles
Provide
Little
Busy
Trying
Died
Really
Grew
Open
Family
Father
Minded
Mother
Incredibly

More quotes by Sonia Braga

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The way I see it, I belong to the film as any other department.
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I like visual arts, and what I love doing is participating in the making of it.
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It makes sense that somebody told you that you made the film from your perspective as a father.
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Of course, I was a little concerned about it being over two hours [in Aquarius ]. Neighboring Sounds was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
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To be naked or even making love in a scene to me is very important if this is a movie about a couple or sensuality. It's a sort of moralism to think that this shouldn't be seen in the film.
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If you take away money, if you take away the houses and things, who are we really? What is love really about? What is it to love each other? Why do we stay together, and why do all the kids split? All these questions I have really deep inside of me.
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I keep boxes filled with recuerdos - little memories that are in the form of pictures and events that I've written down. It's funny that I chose to write them in Spanish rather than English or Portuguese.
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Everybody else is going to react differently to the film [Aquarius], but what I love about it is that both men and women are going to react to it because they will find themselves represented.
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When I wrote the script [of Aquarius], it seemed to hold people's interest.
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And getting older, what's happening is, I play only mothers.
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Ultimately, you just have to do what feels right for the film. It really helps when you have great collaborators like my editor, Eduardo Serrano, who kept telling me various scenes should be longer.
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We did receive some questions about the film's [Aquarius] sexuality in Cannes, but they came from the press rather than audiences.
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You can keep yourself alive. That's the magic of being an actor.
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You see all these old buildings [in Rio] going down or catching fire overnight, and it is so sad. I am very connected with these buildings because they are our history. It is the only one that we have.
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When was it that people decided as a society that your body is in one place and your sexuality in another place, something like a hat, or a coat, that when you leave home you hang it and when you come back home you say, Ah! Let's wear my sexuality! I might wear it tonight? It is something that belongs to your body.
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I'm not saying that we need more stories about people of a certain age, we just need more great stories about people.
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[Aquarius] it had a bit of a rocky arrival in cinemas because we were given the 18+ rating, which did not make any sense in terms of the Brazilian rating system for a film like this.
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These 150-minute superhero films that Hollywood is making are so concerned with their length that each scene doesn't have the time it needs to make sense.
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When Sônia [Braga] talked about the script in detail, it was as if she had seen the film [Aquarius] last night, even though it hadn't existed yet. It was a completely bulls - t-less reaction, so I knew it had to be her, and she has been great ever since.
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I didn't like the script [of Aquarius], I loved it.
Sonia Braga