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In my case, I used the elements of these simple forms - square, cube, line and color - to produce logical systems. Most of these systems were finite that is, they were complete using all possible variations. This kept them simple.

Sol LeWitt

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Sol LeWitt
Age: 78 †
Born: 1928
Born: September 9
Died: 2007
Died: April 8
Architect
Artist
Conceptual Artist
Drawer
Illustrator
Painter
Photographer
Sculptor
Hartford
Connecticut
Sol Le Witt
Sol Lewitt
Solomon Sol LeWitt
Color
Kept
Variations
Cases
Forms
Methodology
Lines
Complete
Variation
Possible
Using
Square
Simple
Case
Squares
Form
Elements
Finite
Used
Line
Logical
Cube
Produce
Systems
Cubes

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Artists teach critics what to think. Critics repeat what the artists teach them.
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Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
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One should be intelligent enough to know when not to be too intellectual
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Irrational judgements lead to new experience.
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Your work isn't a high stakes, nail-biting professional challenge. It's a form of play. Lighten up and have fun with it.
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Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
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The system is the work of art the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
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Artists of many diverse types began using simple forms to their own ends.
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Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
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Conceptual art is only good if the idea is good.
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When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
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All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
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Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.
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What the work of art looks like isn't too important.
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I wasn't really that interested in objects. I was interested in ideas.
Sol LeWitt
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Minimal art went nowhere.
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Ideas alone can be works of art they are in a chain of development that may eventually find some form. All ideas need not be made physical.
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Every generation renews itself in its own way there's always a reaction against whatever is standard.
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Most ideas that are successful are ludicrously simple
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I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.
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