Quote

In my case, I used the elements of these simple forms - square, cube, line and color - to produce logical systems. Most of these systems were finite that is, they were complete using all possible variations. This kept them simple.

Sol LeWitt

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Sol LeWitt
Age: 78 †
Born: 1928
Born: September 9
Died: 2007
Died: April 8
Architect
Artist
Conceptual Artist
Drawer
Illustrator
Painter
Photographer
Sculptor
Hartford
Connecticut
Sol Le Witt
Sol Lewitt
Solomon Sol LeWitt
Used
Line
Logical
Cube
Produce
Systems
Cubes
Color
Kept
Variations
Cases
Forms
Methodology
Lines
Complete
Variation
Possible
Using
Square
Simple
Case
Squares
Form
Elements
Finite

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Every generation renews itself in its own way there's always a reaction against whatever is standard.
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Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
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Your work isn't a high stakes, nail-biting professional challenge. It's a form of play. Lighten up and have fun with it.
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Artists teach critics what to think. Critics repeat what the artists teach them.
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You shouldn't be a prisoner of your own ideas.
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When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
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Irrational judgements lead to new experience.
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One should be intelligent enough to know when not to be too intellectual
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Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable. In terms of idea the artist is free to even surprise himself. Ideas are discovered by intuition.
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Artists of many diverse types began using simple forms to their own ends.
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A blind man can make art if what is in his mind can be passed to another mind in some tangible form.
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Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.
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I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.
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Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
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Conceptual art is only good if the idea is good.
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Minimalism wasn't a real idea - it ended before it started.
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The system is the work of art the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
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An architect doesn't go off with a shovel and dig his foundation and lay every brick. He's still an artist.
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Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
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