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Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.

Sol LeWitt

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Sol LeWitt
Age: 78 †
Born: 1928
Born: September 9
Died: 2007
Died: April 8
Architect
Artist
Conceptual Artist
Drawer
Illustrator
Painter
Photographer
Sculptor
Hartford
Connecticut
Sol Le Witt
Sol Lewitt
Solomon Sol LeWitt
Art
Ideas
Impetus
Real
Conceptual
Years
Liberating
Became
Gave
Idea
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In my case, I used the elements of these simple forms - square, cube, line and color - to produce logical systems. Most of these systems were finite that is, they were complete using all possible variations. This kept them simple.
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Ideas alone can be works of art they are in a chain of development that may eventually find some form. All ideas need not be made physical.
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Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable. In terms of idea the artist is free to even surprise himself. Ideas are discovered by intuition.
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I wasn't really that interested in objects. I was interested in ideas.
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Minimal art went nowhere.
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What the work of art looks like isn't too important.
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Minimalism wasn't a real idea - it ended before it started.
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Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
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Most ideas that are successful are ludicrously simple
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In conceptual art the idea or concept is the most important aspect of the work
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Artists teach critics what to think. Critics repeat what the artists teach them.
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Conceptual art is only good if the idea is good.
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Every generation renews itself in its own way there's always a reaction against whatever is standard.
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New materials are one of the great afflictions of contemporary art. Some artists confuse new materials with new ideas.
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You shouldn't be a prisoner of your own ideas.
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Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
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During the '70s I was interested in words and meaning as a way of making art.
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When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
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The system is the work of art the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
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A blind man can make art if what is in his mind can be passed to another mind in some tangible form.
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