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Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.

Sol LeWitt

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Sol LeWitt
Age: 78 †
Born: 1928
Born: September 9
Died: 2007
Died: April 8
Architect
Artist
Conceptual Artist
Drawer
Illustrator
Painter
Photographer
Sculptor
Hartford
Connecticut
Sol Le Witt
Sol Lewitt
Solomon Sol LeWitt
Thinking
Defeating
Tedious
Unless
Involved
Becomes
Ends
Thing

More quotes by Sol LeWitt

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One should be intelligent enough to know when not to be too intellectual
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All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
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Artists teach critics what to think. Critics repeat what the artists teach them.
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You shouldn't be a prisoner of your own ideas.
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What the work of art looks like isn't too important.
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In conceptual art the idea or concept is the most important aspect of the work
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Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable. In terms of idea the artist is free to even surprise himself. Ideas are discovered by intuition.
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A blind man can make art if what is in his mind can be passed to another mind in some tangible form.
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I wasn't really that interested in objects. I was interested in ideas.
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Minimalism wasn't a real idea - it ended before it started.
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Artists of many diverse types began using simple forms to their own ends.
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Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
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In my case, I used the elements of these simple forms - square, cube, line and color - to produce logical systems. Most of these systems were finite that is, they were complete using all possible variations. This kept them simple.
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Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
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During the '70s I was interested in words and meaning as a way of making art.
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Irrational judgements lead to new experience.
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Obviously a drawing of a person is not a real person, but a drawing of a line is a real line.
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Most ideas that are successful are ludicrously simple
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I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.
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Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
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