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A lot of young filmmakers bring their movies to my dad because he always gives lots of good editing ideas and notes. He'd be a good film professor.

Sofia Coppola

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Sofia Coppola
Age: 53
Born: 1971
Born: May 12
Actor
Film Actor
Film Director
Screenwriter
Writer
New York City
New York
Sofia Carmina Coppola
Ideas
Brilliant
Giving
Notes
Good
Dad
Always
Gives
Professor
Movies
Editing
Bring
Professors
Film
Filmmaker
Young
Lots

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Everyone in my family is in the film business I knew I wanted to be creative and it was important in my family to be artistic.
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I love that feeling of when it's touching and it makes you happy but there's a melancholy or bittersweet glaze to it.
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My dad told me, 'Your movie's never as good as the dailies and never as bad as the rough cut.
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I think being mediocre and in the middle would be the worst. It's more interesting to get strong reactions, and to have the mixture of people who get it and the people who don't get it. And to invite a dialogue.
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My father is so in love with making movies, and he'sso charismatic about it, that it's hard to be around him withoutwanting to make movies.
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I just remember seventh grade as being really difficult, because there's nothing meaner than a girl at that age. You gang up on people, and it's traumatic. It wasn't so bad for me, but there's a woman I know who's still traumatized by junior high. At that age, everything seems like a huge deal, but of course that changes when you get older.
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I always try to make the soundtrack a good CD on its own.
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When you're making a film you're thinking about how to tell the story visually.
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We were always around my dad, so he wasn't absentee at all. I don't think it was normal, but it was exciting. You always had lots of creative people around, and my parents took us everywhere.
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I like amateur things.
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It's about moments in life that are great but don't last. They don't go on, but you always have the memory and they have an effect on you. That's what I was thinking about.
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Acting isn't for me. I don't like being told what to do. I'm more interested in set design, more visually driven.
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I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
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I just try to do what I'm interested in and hope that some people will connect.
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I like telling the story in a visual way. I don't like explaining a lot in dialogue.
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It’s always more intriguing to imagine what’s happening, as opposed to seeing everything, because then you can use your imagination. I always wanted to be at a distance.
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Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
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I think I'm always drawn to projects that help me understand something about myself.
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It seems that the greatest difficulty is to find the end. Don't try to find it, it's there already.
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It’s about misunderstandings between people and places, being disconnected and looking for moments of connection. There are so many moments in life when people don’t say what they mean, when they are just missing each other, waiting to run into each other in a hallway.
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