Quote

It’s about misunderstandings between people and places, being disconnected and looking for moments of connection. There are so many moments in life when people don’t say what they mean, when they are just missing each other, waiting to run into each other in a hallway.

Sofia Coppola

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Sofia Coppola
Age: 53
Born: 1971
Born: May 12
Actor
Film Actor
Film Director
Screenwriter
Writer
New York City
New York
Sofia Carmina Coppola
Looking
Disconnected
Running
Misunderstanding
Moments
Filmmaker
Many
Connection
Mean
Connections
Misunderstandings
Life
Places
Hallway
People
Missing
Insincere
Waiting
Hallways

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I always try to make the soundtrack a good CD on its own.
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I just remember seventh grade as being really difficult, because there's nothing meaner than a girl at that age. You gang up on people, and it's traumatic. It wasn't so bad for me, but there's a woman I know who's still traumatized by junior high. At that age, everything seems like a huge deal, but of course that changes when you get older.
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You're considered superficial and silly if you are interested in fashion....But I think you can be substantial and still be interested in frivolity.
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Making films is like making stuff together as kids.
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I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
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It seems that the greatest difficulty is to find the end. Don't try to find it, it's there already.
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I think I'm always drawn to projects that help me understand something about myself.
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Acting isn't for me. I don't like being told what to do. I'm more interested in set design, more visually driven.
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I like amateur things.
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It’s always more intriguing to imagine what’s happening, as opposed to seeing everything, because then you can use your imagination. I always wanted to be at a distance.
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Everyone in my family is in the film business I knew I wanted to be creative and it was important in my family to be artistic.
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I just try to do what I'm interested in and hope that some people will connect.
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I think being mediocre and in the middle would be the worst. It's more interesting to get strong reactions, and to have the mixture of people who get it and the people who don't get it. And to invite a dialogue.
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When you're making a film you're thinking about how to tell the story visually.
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I love that feeling of when it's touching and it makes you happy but there's a melancholy or bittersweet glaze to it.
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Ever since I was little, I've felt very comfortable on a set. The time is stressful - being creative under time constraints. But there is an excitement and energy that you only have a certain amount of time to get what you want.
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My father is so in love with making movies, and he'sso charismatic about it, that it's hard to be around him withoutwanting to make movies.
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A lot of young filmmakers bring their movies to my dad because he always gives lots of good editing ideas and notes. He'd be a good film professor.
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Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
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When you direct is the only time you get to have the world exactly how you want it. My movies are very close to what I set out to do. And I'm super-opinionated about what I do and don't like.
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