Quote

If I go into a sandwich shop or anywhere that features 'Today's specials' on a chalkboard more than 10 feet away, I have to ask for a printed menu. I smile at people I don't know on the street and ignore those I do. When at home, I often find myself grabbing my 'back-up' glasses to search for the better-loved pair I have left on top of my dresser.

Sloane Crosley

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Sloane Crosley
Age: 46
Born: 1978
Born: August 3
Essayist
Journalist
Novelist
Writer
New York City
New York
Back
Feet
Ignore
Grabbing
Better
Loved
Features
Sandwich
Chalkboard
Find
Asks
Glasses
Sandwiches
Chalkboards
People
Often
Search
Printed
Specials
Left
Anywhere
Pair
Dresser
Away
Street
Shop
Dressers
Home
Smile
Pairs
Menu
Today
Streets
Shops
Menus

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There's just no concept of layering a thick-sleeved sweater under a coat in L.A. A coat is more of a gesture than a necessity. You know, in case the temperature goes down to 55 degrees.
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I was surprised by how much I loved Portland. It is so wonderfully creative without being artsy. Great food scene.
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I would gladly have accepted a heaping spoonful of nepotism when I got out of college and was looking for a job.
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Hey there.' I cleared my throat. 'How are you?' I'm engaged!' Incidentally, this is an unacceptable answer to that question.
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Our culture's obsession with vintage objects has rendered us unable to separate history from nostalgia. People want heart. They want a chaser of emotion with their aesthetics.
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I spent a lot of time waiting for things to happen to me, which is more or less as pathetic as it sounds.
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As we grow up, it feels like you should either invite people into your life or not. There should be fewer and fewer instances of friends you ‘can only take in small doses.’
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I like to try to do a little work before I do anything in the morning, even if it's a paragraph.
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You know what they say: 'Why sit at a table that doesn't have key lime pie on it if you don't have to?'
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There's already a marriage clock, a career clock, a biological clock. Sometimes being a woman feels like standing in the lobby of a hotel, looking at the dials depicting every time zone in the world behind the front desk - except they all apply to you, and all at once.
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In New York, if you weigh under 200 pounds and decline so much as a cookie at a co-worker's party, women will flock to your side, assuring you of your appealing physique. This is how skittish we are about the dangers of anorexia and the pressures of body image.
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I don't understand how you can be a decent writer and not know people.
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Personal technology has given us the freedom of being able to do whatever we want - and in the case of celebrities and athletes, whomever they want. But it can also serve as a humiliation jetpack.
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In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy.
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Most people don't get lucky. They get human. They get crushes. This means you irrationally mortgage what little logic you own to pay for this one thing. This relationship is an impulse buy, and you'll figure out if it's worth it later.
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For a long time I wanted to draw, but I could never get the proportions right. My still life sketches were the artistic equivalent of someone who has misjudged the space constraints of a postcard, the handwriting shrinking uncomfortably at the bottom.
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Normally, I am a vocal advocate for 'looking both ways' and 'knowing the size of one's own body.' But working, socialising and simply running errands in Manhattan, means I am bound to break my own rules on occasion.
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There are two kinds of people in this world: those who know where their high school yearbook is and those who do not.
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Sometimes we don't know what we want until we don't get it.
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It's remarkable the logic we'll build around a misapprehension.
Sloane Crosley