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Pain is always emotional. Fear and depression keep constant company with chronic hurting.

Siri Hustvedt

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Siri Hustvedt
Age: 69
Born: 1955
Born: February 19
Essayist
Novelist
Poet
Writer
Northfield
Minnesota
Premio princesa de Asturias 2019
Hurt
Company
Pain
Fear
Chronic
Keep
Hurting
Always
Depression
Constant
Emotional

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Correlation is not cause, it is just a 'music of chance'.
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A book is a collaboration between the one who reads and what is read and, at its best, that coming together is a love story like any other.
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Ture stories can't be told forward, only backward. We invent them from the vantage point of an ever-changing present and tell ourselves how they unfolded.
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In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting.
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There is this assumption that much of what I write is about my life, and that simply is not true.
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There is no future without a past, because what is to be cannot be imagined except as a form of repetition.
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Women really are not supposed to be imaginative. That creativity of this kind is supposed to belong to men. You know, because women make babies. I find the double standards shocking.
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Intellectual curiosity about one's own illness is certainly born of a desire for mastery. If I couldn't cure myself, perhaps I could at least begin to understand myself.
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Depression is when you think there's nothing to be done. Fortunately I always think there's something to be done.
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We read each other through our eyes, and anatomically they are an extension of our brains. When we catch someone's eye, we look into a mind.
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All human states are organic brain states - happiness, sadness, fear, lust, dreaming, doing math problems and writing novels - and our brains are not static.
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No matter how brilliant or accomplished they are, there is something emasculating for men in being pitted against a woman. It is even more true in creative fields already considered to be squishy and feminine, and it's a big problem because great women have been left off the record.
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Men generally do not see women as competition.
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Dreams are stories made by and for the dreamer, and each dreamer has his own folds to open and knots to untie.
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Our memory fragments don't have any coherence until they're imagined in words. Time is a property of language, of syntax, and tense.
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The faculty of memory cannot be separated from the imagination. They go hand in hand. To one degree or another, we all invent our personal pasts. And for most of us those pasts are built from emotionally colored memories.
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Good books, written by men or women, are ones in which you lose consciousness of the person writing the sentences.
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Writing fiction is like remembering what never happened.
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Demonstration of mastery gives a feeling of power and that feeling of power is a good feeling.
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Memory changes as a person matures.
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