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We are never more creative than when we are at odds with the world and there is nothing so artistically destructive as comfort. Princess Leia taught me that.

Simon Pegg

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Simon Pegg
Age: 54
Born: 1970
Born: February 14
Actor
Comedian
Film Producer
Screenwriter
Television Actor
Voice Actor
Writer
Brockworth
Gloucestershire
Simon John Pegg
Simon John Pegg Beckingham
Simon Jonathan Pegg
Simon Jonathan Pegg Beckingham
Simon J. Pegg
Simon J. Pegg Beckingham
Destructive
Comfort
Taught
Creative
Nothing
Leia
Never
Artistically
World
Princess
Odds

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I was always Luke because I had blond hair, and my mate Stu was Han. Han was the cool one. The Jedi were never the cool ones.
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As a kid, I was a huge fan of movies and acting. My mom was in the sort of community theater, and I always hung around down there, and I was a massive fan of everything I'm kind of involved in now. But fairly ordinary and cheeky.
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Films used to be about challenging, emotional journeys or moral questions that might make you walk away and re-evaluate how you felt about... whatever. Now we're walking out of the cinema really not thinking about anything, other than the fact that the Hulk had a fight with a robot.
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If one of your best friends is making a Star Wars movie, you're not gonna not abuse that privilege. I defy anybody to say otherwise!
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Doctor Who was a big part of my childhood so it was a great honour to be in it.
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Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, Take a look at this. It's filming in London next year, and you might like to look at Jack. I trust Nira implicitly.
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American audiences tend to be more expressive than British ones.
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Suddenly, the world I had scrutinised for so long was all around me, as if I had leaned forward and climbed into the television like Alice through the looking-glass. I had no idea just how deep the rabbit hole would go.
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When you're a student and you just want some money to feel like you're an adult, you'll pretty much do anything within reason.
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It's a fun world to exist in, and I relish doing those movies as much as I do the smaller ones. They're always immense fun. I don't know if I am - unless we do a Benji film, I don't think I am an action hero really.
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Sometimes you just wish you could make a film and then have it on DVD so you can see your mom. But, no, I've never really had that moment. Not really. Not seriously.
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I do get very angry at things. My wife has to count to ten because if she gets annoyed at me being annoyed, then I get annoyed at her being annoyed at me being annoyed.
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I'm simply saying that our deepest thoughts, desires and preoccupations manifest themselves in art, whether we intend them to or not. That's what art is for it's not cerebral, it's emotional.
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We don't watch the film anymore because we've seen it so many times, so we'll introduce it, walk out and we'll come back in right about when I wake up in the morning and walk over to the shop and everything's changed.
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Also, if you watch the film once, there are lots of things that you won't get because there are punch lines in the first act, the setup to which isn't until the second act.
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Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.
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There are actually quite high profile British TV star cameos in it that you probably wouldn't even notice, that the British wouldn't even notice, let alone the American audience.
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Happiness is where you start from rather than where you go. God, I sound like Yoda.
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I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.
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Bill Hicks wasn't just a comic, he was a crusader against humanity's relentless capacity to underachieve
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