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Childhood didn't have a big influence on me, really - in fact I spent most of it plotting how to escape.

Simon Callow

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Simon Callow
Age: 75
Born: 1949
Born: June 13
Actor
Character Actor
Director
Film Actor
Film Director
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Writer
Simon Phillip Hugh Callow
Influence
Fact
Bigs
Facts
Didn
Plotting
Really
Escape
Spent
Childhood

More quotes by Simon Callow

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Very often my weekends are spent performing on Saturday, on stage in the afternoon and again in the evening.
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Shakespeare speaks for the human heart but Dickens speaks for the social man and for injustices.
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I am never bored, never short of anything to do and I don't even ever feel lonely. I am quite gregarious and I get out and about a lot, but sometimes it is just wonderful to be on your own.
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You could say Shakespeare is so extraordinary precisely because he was so ordinary. He had all the usual anxieties and understandings of what it is to have children, lose children, get married, struggle to make a living and so on.
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The elderly are all someone's flesh and blood and we cannot just shut them in a cupboard and hand over the responsibility for taking care of them to the state.
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Shakespeare wrote all there is that we need to know about dementia in 'King Lear.
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Many actors have protested about mobile phones going off in theatres, but the real menace now is people texting during a show. It may only disturb a few people around them, but for me, as an actor, when I spot them answering their emails, I am outraged.
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Everything that we have gone through, are going through, and will go through is there in Shakespeare. It is all of human life.
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Increasingly I've come to think that what's at the core of acting is thinking. Most people would say it's feeling.
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To enter a theatre for a performance is to be inducted into a magical space, to be ushered into the sacred arena of the imagination.
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Like many Catholics, I was very affected by the personality of Jesus and that impression, pious as it was, has stayed with me.
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I'd like to direct more operas.
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