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It's such a nice change to get to play a wretched, shallow, mergers-and-acquisitions woman. My true colors come out.

Sigourney Weaver

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Sigourney Weaver
Age: 75
Born: 1949
Born: October 8
Actor
Actress
Film Actor
Film Producer
Stage Actor
Television Actor
Voice Actor
New York City
New York
Susan Alexandra Weaver
Woman
Acquisitions
True
Mergers
Change
Acquisition
Come
Wretched
Play
Shallow
Colors
Color
Nice

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When I look around the world, I don't see too many damsels in distress. If they're a damsel in distress, they're manipulating some guy to help them.
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Usually it's the guys that don't follow you around, who you're attracted to!
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I still am in touch with several friends from high school. I don't go to reunions much. I'm afraid that if I go back to the school, they'll suddenly go, 'You know what? We've checked the records and you still have one more French class. Get back in here.'
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I always find it particularly difficult to work in New York because there are so many things to do.
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Someday hopefully it won’t be necessary to allocate a special evening to celebrate where we are and how far we’ve come…someday women writers, producers and crew members will be so commonplace, and roles and salaries for actresses will outstrip those for men, and pigs will fly.
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I really enjoy working with younger actors. I just feel like we're all peers together.
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I'm always the last person they go to with a sequel, because I'm the most skeptical. You know, I'm very proud of what we've done, and I don't want to screw up our series.
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I worked hard and made my own way, just as my father had. And just, I'm sure, as he hoped I would. I learned, from observing him, the satisfaction that comes from striving and seeing a dream fulfilled.
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I have a very commercial appetite. I don't like to do high-brow things.
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For the camera, particularly, I feel like - I think that, as human faces become older, they become more interesting.
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Art school is a very difficult thing to run in a generous, humane way, because academic power is somehow very corrupting.
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Acting as a career is a long term thing and that work is kind of progressive and you can build on a career. It's part of the great tradition of the theater to me.
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I'm no Ripley. I had doubts that I could play her as strongly as she had to be played, but I must say that it was fun exploring that side of myself. Women don't get to do that very often.
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Most people think that animals are third-class citizens. Very few people really see animals as the others with whom we inhabit this planet. They have equal rights with us.
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I had always done theater in extracurricular ways. I'd never been a drama major.
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What I love about Neill's Blomkamp work is that his stories are small human stories. But what's interesting about Neill's movies is that they're set in the future but they're so incredibly timely that it feels like maybe in the present in the next dimension. It feels like it's happening now. The universe is very recognizable, in many ways.
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I was at an all-girls' school, so there were a lot of us who were really awkward. I was this tall when I was 11, so I was really awkward and self-conscious. No one would really have wanted to be mean to me. I was too unimportant.
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I love playing an alien.
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I am more of a New Yorker than ever and just actually, sometimes I fantasize about living somewhere else, where it's maybe not quite so crowded or stressful, blah, blah, blah and after September 11th, I guess I could just not imagine living anywhere else.
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I love working quickly. I don't like to do thousands of takes, and I don't want to do thousands of set ups.
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