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The impression forces itself upon one that men measure by false standards, that everyone seeks power, success, riches for himself, and admires others who attain them, while undervaluing the truly precious thing in life.

Sigmund Freud

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Sigmund Freud
Age: 83 †
Born: 1856
Born: May 6
Died: 1939
Died: September 23
Essayist
Neurologist
Philosopher
Psychiatrist
Psychoanalyst
Psychologist
Freiberg
Sigismund Schlomo Freud
Freud
Life
Upon
Measure
Success
Admire
Admires
Force
False
Agnosticism
Everyone
Forces
Attain
Others
Illusion
Seeks
Power
Standards
Riches
Thing
Atheism
Precious
Men
Truly
Impression

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What progress we are making. In the Middle Ages they would have burned me. Now they are content with burning my books.
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Instinct of love toward an object demands a mastery to obtain it, and if a person feels they can't control the object or feel threatened by it, they act negatively toward it.
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To endure life remains, when all is said, the first duty of all living being Illusion can have no value if it makes this more difficult for us.
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A man should not strive to eliminate his complexes but to get into accord with them: they are legitimately what directs his conduct in the world.
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Not all men are worthy of love.
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This transmissibility of taboo is a reflection of the tendency, on which we have already remarked, for the unconscious instinct in the neurosis to shift constantly along associative paths on to new objects.
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There is an intellectual function in us which demands unity, connection and intelligibility from any material, whether of perception or thought, that comes within its grasp and if, as a result of special circumstances, it is unable to establish a true connection, it does not hesitate to fabricate a false one.
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A lady once expressed herself in society - the very words show that they were uttered with fervour and under the pressure of a great many secret emotions: Yes, a woman must be pretty if she is to please the men. A man is much better off. As long as he has five straight limbs, he needs no more!
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The communal life of human beings had . . . a two-fold foundation: the compulsion to work, which was created by external necessity, and the power of love.
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Religious ideas have sprung from the same need as all the other achievements of culture: from the necessity for defending itself against the crushing supremacy of nature.
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Dreams are the royal road to the unconscious.
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After all, we did not invent symbolism it is a universal age-old activity of the human imagination.
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A hero is a man who stands up manfully against his father and in the end victoriously overcomes him.
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The paranoid is never entirely mistaken.
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Civilization is a process in the service of Eros, whose purpose is to combine single human individuals, and after that families, then races, peoples and nations, into one great unity, the unity of mankind. Why this has to happen, we do not know the work of Eros is precisely this.
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Human life in common is only made possible when a majority comes together which is stronger than any separate individual and which remains united against all separate individuals. The power of this community is then set up as right in opposition to the power of the individual, which is condemned as brute force.
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It is impossible to escape the impression that people commonly use false standards of measurement -- that they seek power, success and wealth for themselves and admire them in others, and that they underestimate what is of true value in life.
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The gods retain their threefold task: they must exorcize the terrors of nature, they must reconcile men to the cruelty of Fate, particularly as it is shown in death, and they must compensate them for the sufferings and privations which a civilized life in common has imposed on them.
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The conscious mind may be compared to a fountain playing in the sun and falling back into the great subterranean pool of subconscious from which it rises.
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Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces.
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