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White lost because he failed to remember the right continuation and had to think up the moves himself

Siegbert Tarrasch

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Siegbert Tarrasch
Age: 71 †
Born: 1862
Born: March 5
Died: 1934
Died: February 17
Chess Player
Chess Theoretician
Physician
Writer
Breslau
Right
Continuation
Think
Moves
Thinking
Failed
Chess
White
Moving
Lost
Remember

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It is not enough to be a good player... you must also play well
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I have a quite feeling of pity for all those who don't know chess almost like I am sorry for those who never learned to love. Chess, like love and music, has the ability of making people happy.
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If the defender is forced to give up the center, then every possible attack follows almost of itself.
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Every move creates a weakness.
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Up to this point White has been following well-known analysis. But now he makes a fatal error: he begins to use his own head
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First-class players lose to second-class players because second-class players sometimes play a first-class game
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Always put the rook behind the pawn.... Except when it is incorrect to do so.
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Mistrust is the most necessary characteristic of the Chess player
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I have always a slight feeling of pity for the man who has no knowledge of chess, just as I would pity the man who has remained ignorant of love. Chess, like love, like music, has the power to make man happy.
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I already came upon the world as a extraordinary human being to my parents' great horror, I was equipped with a clubfoot which, however, did not hamper my rapid progress.
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Chess, like love, like music, has the power to make men happy.
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One doesn't have to play well, it's enough to play better than your opponent
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One of these modest little moves may be more embarrassing to your opponent than the biggest threat
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When you see a good move, sit on your hands and see if you can find a better one.
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As Rousseau could not compose without his cat beside him, so I cannot play chess without my king's bishop. In its absense the game to me is lifeless and void. The vitalizing factor is missing, and I can devise no plan of attack.
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A thorough understanding of the typical mating continuations makes the most complicated sacrificial combinations leading up to them not only not difficult, but almost a matter of course
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... a lively imagination can exercise itself most fully and creatively in conjuring up magnificent combinations.
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In a rook and pawn ending, the rook must be used aggressively. It must either attack enemy pawns, or give active support to the advance of one of its own pawns to the queening square.
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What is the object of playing a gambit opening?... To acquire a reputation of being a dashing player at the cost of losing a game
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Weak points or holes in the opponent's position must be occupied by pieces not Pawns
Siegbert Tarrasch