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It is only with the eyes open that a corporeal form returns, and assembles itself firmly around the hard core of sight.
Shirley Jackson
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Shirley Jackson
Age: 48 †
Born: 1916
Born: December 14
Died: 1965
Died: September 8
Author
Journalist
Non-Fiction Writer
Novelist
Writer
San Francisco County
California
Shirley Hardie Jackson
Sight
Return
Open
Eyes
Eye
Corporeal
Form
Returns
Around
Firmly
Hard
Core
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He is altogether selfish, she thought in some surprise, the only man I have ever sat and talked to alone, and I am impatient he is simply not very interesting.
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It watches, he added suddenly. The house. It watches every move you make.
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All cat stories start with this statement: My mother, who was the first cat, told me this...
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Now, I have nothing against the public school system as it is presently organized, once you allow the humor of its basic assumption about how it is possible to teach things to children.
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I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.
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I shall weave a suit of leaves. At once. With acorns for buttons.
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The idea of a series of items, following one another docilely, forms the only possible reasonable approach to life if you have to live it with a home and a husband and children, none of whom would dream of following one another docilely.
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I would have to find something else to bury here and I wished it could be Charles.
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February, when the days of winter seem endless and no amount of wistful recollecting can bring back any air of summer.
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We eat the year away. We eat the spring and the summer and the fall. We wait for something to grow and then we eat it.
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All I could think of when I got a look at the place from the outside was what fun it would be to stand out there and watch it burn down.
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Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books.
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Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
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I can't help it when people are frightened, says Merricat. I always want to frighten them more.
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We moved together very slowly toward the house, trying to understand its ugliness and ruin and shame.
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I have always loved to use fear, to take it and comprehend it and make it work and consolidate a situation where I was afraid and take it whole and work from there.
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I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside.
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Hill House, she thought, You're as hard to get into as heaven.
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