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Poetry has roots, but they are sometimes cut off and still poetry is written.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Stills
Still
Sometimes
Roots
Cutting
Poetry
Written

More quotes by Shirley Geok-lin Lim

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Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
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After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
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If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.
Shirley Geok-lin Lim
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The poem might come to you as you're preparing to teach a lecture, right? And when you say, no to that occasion, that poem is gone.
Shirley Geok-lin Lim
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It is true that my characters have sex.
Shirley Geok-lin Lim
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Just because suddenly you have a sabbatical doesn't mean that the writing occasion comes to you.
Shirley Geok-lin Lim
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One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
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From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
Shirley Geok-lin Lim
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New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim
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Stop Already is a fairly new poem in a group that was just published by Feminist Studies, which is why I sent them to you.
Shirley Geok-lin Lim
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As a first-generation Asian American woman, for one thing, I knew there was no such thing as an Asian American woman. Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me.
Shirley Geok-lin Lim
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If the act of writing is the act of putting aside the masculine, then you might in that way, it may sound almost crazy to say this, say that the act of writing, for a woman, could be a homosexual act.
Shirley Geok-lin Lim
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That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
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Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
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Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
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I guess my writing through time has focused on a number of dimensions that reflect separately on the meaning and social place of the female body.
Shirley Geok-lin Lim
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It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
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I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
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Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
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I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
Shirley Geok-lin Lim