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New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim
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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Writing
Formalism
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Dams
Desert
Decades
Rain
Flow
Language
Running
More quotes by Shirley Geok-lin Lim
No one, evidently, except me has found No Alarms poem ironical that an obsessive theme in my writing was - and has continued to be - not being able to write.
Shirley Geok-lin Lim
Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
Wouldn't that be wonderful if I could do that? And that way, I could walk with the muse, rather than walk without her. The novel would write itself.
Shirley Geok-lin Lim
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
I'm not sure why my muse is female, except when I am deliberately playing against that figure.
Shirley Geok-lin Lim
I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
The problem of the female body is not something that I've studied, but my memoir does treat that theme.
Shirley Geok-lin Lim
Particularly in relationship to my father - there's something that daughters, girl children, do almost instinctually in their relationships with their father, so that physically, those boundaries must be respected and never crossed.
Shirley Geok-lin Lim
People called me a tomboy. That was the term used then. I was very much someone who was comfortable in male clothing, and even later when I grew up, I was constantly wearing dungarees, wearing guy shirts.
Shirley Geok-lin Lim
I have a muse who's very powerful, but I'm still a hopeless deadbeat of a poet.
Shirley Geok-lin Lim
[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
Philosophy is a bad master for poetry religion worse and politics self-serving will never serve the Muse.
Shirley Geok-lin Lim
Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
I do want to do the entire alphabet. There's in [Walker's Alphabet] a poem called A Life in that grouping. I was going to change that title to A.
Shirley Geok-lin Lim
My brothers were my peers, but they were not the preeminent male figures in my emotional life.
Shirley Geok-lin Lim