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Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Shirley Geok-lin Lim
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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Doe
Praxis
Writing
Maddening
Something
Counting
Signs
Therefore
Poet
System
Values
Poetics
More quotes by Shirley Geok-lin Lim
When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim
Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim
I only submit the poems I think are the strongest.
Shirley Geok-lin Lim
When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
Shirley Geok-lin Lim
No one, evidently, except me has found No Alarms poem ironical that an obsessive theme in my writing was - and has continued to be - not being able to write.
Shirley Geok-lin Lim
Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
Of course, among the confused motives that spurred me toward being a writer was also the desire to look, to be above the trees and rooftops, beyond the Malaysian horizon that circumscribed my life.
Shirley Geok-lin Lim
The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.
Shirley Geok-lin Lim
As a first-generation Asian American woman, for one thing, I knew there was no such thing as an Asian American woman. Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me.
Shirley Geok-lin Lim
The problem of the female body is not something that I've studied, but my memoir does treat that theme.
Shirley Geok-lin Lim
I'm in my 60s, and a cancer scare just makes you more aware of mortality.
Shirley Geok-lin Lim
In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Shirley Geok-lin Lim
Wouldn't that be wonderful if I could do that? And that way, I could walk with the muse, rather than walk without her. The novel would write itself.
Shirley Geok-lin Lim
In the same way, the people whom I most abhor, I abhor them for elements that I abhor in myself.
Shirley Geok-lin Lim
Just because suddenly you have a sabbatical doesn't mean that the writing occasion comes to you.
Shirley Geok-lin Lim
[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
