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Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Business
Paper
Sister
Magazine
Stories
Writer
Magazines
Writes
Character
Novel
Offer
Passages
Joss
Human
Public
Majors
Imagined
Weekly
Humans
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Relations
Edits
Writing
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Novels
Swing
Even
Interest
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Locals
Swings
Time
Free
Gold
Local
Asian

More quotes by Shirley Geok-lin Lim

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If the act of writing is the act of putting aside the masculine, then you might in that way, it may sound almost crazy to say this, say that the act of writing, for a woman, could be a homosexual act.
Shirley Geok-lin Lim
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I want, I want, I want! We never grow out of it somehow. Unless we become Buddhists, maybe.
Shirley Geok-lin Lim
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I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
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Of course, among the confused motives that spurred me toward being a writer was also the desire to look, to be above the trees and rooftops, beyond the Malaysian horizon that circumscribed my life.
Shirley Geok-lin Lim
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I guess my writing through time has focused on a number of dimensions that reflect separately on the meaning and social place of the female body.
Shirley Geok-lin Lim
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Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
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In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
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When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
Shirley Geok-lin Lim
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[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
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That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
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I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
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I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
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In the same way, the people whom I most abhor, I abhor them for elements that I abhor in myself.
Shirley Geok-lin Lim
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Philosophy is a bad master for poetry religion worse and politics self-serving will never serve the Muse.
Shirley Geok-lin Lim
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One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
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Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
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John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim
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Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
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I have a muse who's very powerful, but I'm still a hopeless deadbeat of a poet.
Shirley Geok-lin Lim
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Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim