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I'm in my 60s, and a cancer scare just makes you more aware of mortality.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 80
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Makes
Mortality
Scare
Cancer
Aware

More quotes by Shirley Geok-lin Lim

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From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
Shirley Geok-lin Lim
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I have a muse who's very powerful, but I'm still a hopeless deadbeat of a poet.
Shirley Geok-lin Lim
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It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
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I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
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In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
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I feel compassionate, because I know [students] all have to go down this road of suffering and it's going to be tough.
Shirley Geok-lin Lim
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I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.
Shirley Geok-lin Lim
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This condition [irony] has nothing to do with writer's block, a psychological syndrome, which is one of the few I have not diagnosed for myself!
Shirley Geok-lin Lim
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The problem of the female body is not something that I've studied, but my memoir does treat that theme.
Shirley Geok-lin Lim
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Of course, among the confused motives that spurred me toward being a writer was also the desire to look, to be above the trees and rooftops, beyond the Malaysian horizon that circumscribed my life.
Shirley Geok-lin Lim
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When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
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Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
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I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
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In various memoir pieces, I have traced the trajectory of yearning through decisions made, good and bad, that had somehow kept the ambition on track.
Shirley Geok-lin Lim
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If the act of writing is the act of putting aside the masculine, then you might in that way, it may sound almost crazy to say this, say that the act of writing, for a woman, could be a homosexual act.
Shirley Geok-lin Lim
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I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
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Philosophy is a bad master for poetry religion worse and politics self-serving will never serve the Muse.
Shirley Geok-lin Lim
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If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.
Shirley Geok-lin Lim
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Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
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Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim