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I'm in my 60s, and a cancer scare just makes you more aware of mortality.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Scare
Cancer
Aware
Makes
Mortality

More quotes by Shirley Geok-lin Lim

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My recent retirement from full-time teaching to the status of research professor at University of California-Santa Barbara (UCSB) encouraged me to come out, so to speak.
Shirley Geok-lin Lim
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In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
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Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
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One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
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Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself it is slowed down by poetics after its flight is over.
Shirley Geok-lin Lim
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I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
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The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.
Shirley Geok-lin Lim
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When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
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If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.
Shirley Geok-lin Lim
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If I could write a novel while I'm walking, I probably would.
Shirley Geok-lin Lim
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John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim
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The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
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I feel compassionate, because I know [students] all have to go down this road of suffering and it's going to be tough.
Shirley Geok-lin Lim
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Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
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I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.
Shirley Geok-lin Lim
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In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
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Note, the reply will not be I write, an act that I have, after all, been performing since I was nine.
Shirley Geok-lin Lim
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Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
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Some Asian American male scholars have claimed this muse to be Guong Goong, God of Literature, and, simultaneously, although not coincidentally or triflingly, God of War, but I did not have such a gendered muse in mind then.
Shirley Geok-lin Lim
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New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim