Quote

In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.

Shirley Geok-lin Lim

Change background

T
T
T

Change font

TAGS & TOPICS

Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Way
Recognition
Think
False
Thinking
Seeing
Use
Often
Permeates
Action
Imagery
Character
Plot
Kind
Insight

More quotes by Shirley Geok-lin Lim

Image
The Chinese traditionally have revered age and longevity - I have one and hope for the other! - so, in Taipei, a city-hub for global Chinese who dis-identify with the People's Republic of China's construction of a Communist nationalist Chineseness, I called on the Chinese muse of writing to witness my emergence out of the academic woods.
Shirley Geok-lin Lim
Image
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
Image
After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
Image
When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
Shirley Geok-lin Lim
Image
It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
Image
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
Image
I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
Image
Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself it is slowed down by poetics after its flight is over.
Shirley Geok-lin Lim
Image
[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
Image
Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
Shirley Geok-lin Lim
Image
I guess my writing through time has focused on a number of dimensions that reflect separately on the meaning and social place of the female body.
Shirley Geok-lin Lim
Image
Even today, I'm much more comfortable dressed in a male kind of way.
Shirley Geok-lin Lim
Image
I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
Image
Heterosexuality - whichever gender you are - says that the other gender is very important to you.
Shirley Geok-lin Lim
Image
Stop Already is a fairly new poem in a group that was just published by Feminist Studies, which is why I sent them to you.
Shirley Geok-lin Lim
Image
In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Shirley Geok-lin Lim
Image
One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
Image
Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
Image
That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
Image
I was not - even the notion of could not seems to suggest a moment of recognition, but it was such a repressed dimension - I was not able to NOT wear a shirt like my brothers could. My brothers would, in the heat, run around shirtless, and I wouldn't do that, obviously.
Shirley Geok-lin Lim