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I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Something
Passionate
Outside
Realize
Realizing
Came
Hate
Hating
Also
Projection
Much
Weird

More quotes by Shirley Geok-lin Lim

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From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
Shirley Geok-lin Lim
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Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
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The poem might come to you as you're preparing to teach a lecture, right? And when you say, no to that occasion, that poem is gone.
Shirley Geok-lin Lim
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I feel compassionate, because I know [students] all have to go down this road of suffering and it's going to be tough.
Shirley Geok-lin Lim
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I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
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Note, the reply will not be I write, an act that I have, after all, been performing since I was nine.
Shirley Geok-lin Lim
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The foot can march or it can dance, but it cannot stand still until end-stopped.
Shirley Geok-lin Lim
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Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
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In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
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Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Shirley Geok-lin Lim
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Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
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My recent retirement from full-time teaching to the status of research professor at University of California-Santa Barbara (UCSB) encouraged me to come out, so to speak.
Shirley Geok-lin Lim
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My brothers were my peers, but they were not the preeminent male figures in my emotional life.
Shirley Geok-lin Lim
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I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
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I guess my writing through time has focused on a number of dimensions that reflect separately on the meaning and social place of the female body.
Shirley Geok-lin Lim
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Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim
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Particularly in relationship to my father - there's something that daughters, girl children, do almost instinctually in their relationships with their father, so that physically, those boundaries must be respected and never crossed.
Shirley Geok-lin Lim
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Just because suddenly you have a sabbatical doesn't mean that the writing occasion comes to you.
Shirley Geok-lin Lim
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John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim
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That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim