Quote

In the same way, the people whom I most abhor, I abhor them for elements that I abhor in myself.

Shirley Geok-lin Lim

Change background

T
T
T

Change font

TAGS & TOPICS

Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Abhor
Elements
Way
People

More quotes by Shirley Geok-lin Lim

Image
In various memoir pieces, I have traced the trajectory of yearning through decisions made, good and bad, that had somehow kept the ambition on track.
Shirley Geok-lin Lim
Image
Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
Image
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
Image
When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
Image
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
Image
Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
Image
I'm not sure why my muse is female, except when I am deliberately playing against that figure.
Shirley Geok-lin Lim
Image
I do want to do the entire alphabet. There's in [Walker's Alphabet] a poem called A Life in that grouping. I was going to change that title to A.
Shirley Geok-lin Lim
Image
I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
Image
I was not - even the notion of could not seems to suggest a moment of recognition, but it was such a repressed dimension - I was not able to NOT wear a shirt like my brothers could. My brothers would, in the heat, run around shirtless, and I wouldn't do that, obviously.
Shirley Geok-lin Lim
Image
If I could write a novel while I'm walking, I probably would.
Shirley Geok-lin Lim
Image
That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
Image
I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
Image
I'm in my 60s, and a cancer scare just makes you more aware of mortality.
Shirley Geok-lin Lim
Image
One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
Image
What happens when a female writer invokes a female muse? Does something else happen? With Sappho's figures of desire, we have a different lesbian energy.
Shirley Geok-lin Lim
Image
I feel compassionate, because I know [students] all have to go down this road of suffering and it's going to be tough.
Shirley Geok-lin Lim
Image
In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
Image
In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
Image
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim