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Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 80
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Self
Readers
Kind
Sexual
Expect
Reader
Seem
Transgressive
Woman
Articulation
Seems
Text
Might
Agency

More quotes by Shirley Geok-lin Lim

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I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.
Shirley Geok-lin Lim
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The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
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When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
Shirley Geok-lin Lim
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Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
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Some Asian American male scholars have claimed this muse to be Guong Goong, God of Literature, and, simultaneously, although not coincidentally or triflingly, God of War, but I did not have such a gendered muse in mind then.
Shirley Geok-lin Lim
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I was not - even the notion of could not seems to suggest a moment of recognition, but it was such a repressed dimension - I was not able to NOT wear a shirt like my brothers could. My brothers would, in the heat, run around shirtless, and I wouldn't do that, obviously.
Shirley Geok-lin Lim
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Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
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I feel compassionate, because I know [students] all have to go down this road of suffering and it's going to be tough.
Shirley Geok-lin Lim
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John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim
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I have some weak poems in that new collection, which is why I'm not ready to send the collection out yet.
Shirley Geok-lin Lim
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In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
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In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Shirley Geok-lin Lim
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Wouldn't that be wonderful if I could do that? And that way, I could walk with the muse, rather than walk without her. The novel would write itself.
Shirley Geok-lin Lim
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When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
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Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself it is slowed down by poetics after its flight is over.
Shirley Geok-lin Lim
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Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
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Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
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I'm in my 60s, and a cancer scare just makes you more aware of mortality.
Shirley Geok-lin Lim
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I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.
Shirley Geok-lin Lim
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Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
Shirley Geok-lin Lim